Fill Light

Fill light adds illumination to the shadow areas of a subject. It can come from a separate fixture, a reflector or the room itself, and is used to control the contrast established by the key.

Top-view lighting diagram with a camera facing the subject, key and fill in front, and a back light behind.
One example of key, fill and back-light positions. These names describe roles, not a required arrangement.

How much fill to use

There is no required fill level. A broad, restrained fill can retain detail while leaving the key’s direction clear. Stronger fill produces a flatter relationship between lit and shadow areas. Watch for a second set of obvious shadows when adding a distinct source.

Fill and negative fill

White surroundings often provide fill without a dedicated light. Negative fill reduces this return using a dark surface. It can be more effective to remove unwanted room bounce than to keep increasing the key.

Practical example

With a soft key from camera left, place a white board on the opposite side and bring it closer until the shadow cheek has the required detail. Compare with the board removed before adding a powered fixture. Record how a quoted lighting ratio was measured; ratios based on source readings and ratios based on lit-versus-shadow readings are not necessarily equivalent.

Related terms

Key Light · Bounce Light · Negative Fill · Lighting Ratio · Incident Light Meter

References

ARRI Lighting Handbook

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