Aputure NOVA II 2×1

Overview

Its rectangular shape suits interviews, tabletop work, coloured sets and bounce. Removing the diffuser creates a more concentrated source; it does not turn the panel into a single point source for optical projection.

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Key specifications

Specification	Details
Light engine / colour	BLAIR-CG; full-colour and tunable white
CCT / tint	1,800–20,000K; full-range green–magenta adjustment
Maximum electrical input / LED class	1,250W / 1,000W
AC supply	100–240V, 50/60Hz
Native / flat-diffuser beam	35° / 95°
Pixels	2
Colour references	CRI/TLCI ≥95; SSI tungsten 90 / D56 86
Weights: bare head / yoke / diffuser	16.25kg / 2.40kg / 2.00kg
Dimensions with yoke	82.9 × 56.6 × 15.4cm
Weather / operating temperature	IP65; −20°C to 50°C
Control	Onboard, Sidus Link / Link Pro, DMX/RDM, CRMX, Art-Net/sACN

Technical reference: Aputure product information and downloads.

Strengths and limitations

Strengths

• Selectable native and diffused beam configurations suit bounce and direct soft-light work.
• Full-colour mixing, tint adjustment and a broad CCT range support mixed-source locations.
• Integrated power and console connectivity reduce the number of separate boxes at the stand.

Limitations

• Two pixels provide broad colour separation, rather than a dense video-display surface.
• The narrow native-beam reading is substantially brighter than the reading with diffusion fitted.
• Power, mass and fan mode still need planning even though the fixture is a panel rather than a head-and-ballast system.

Practical uses

Setup	Working approach
Two-person interview	Orient the panel for the required horizontal coverage. Check both faces with the working diffuser rather than relying on a centre lux reading.
Tabletop or top light	Use an approved overhead rig and control the panel’s broad spill with a skirt, grid or flags. Plan the shot around reflections on glossy surfaces.
Coloured set wash	Use the two pixels for a broad split or animated cue; check blending distance before shooting the panel’s light on a nearby wall.
Window bounce	Run the 35° native beam into a selected bounce or diffusion surface. Check corner coverage and the output loss of the final soft source.

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Output and colour

The native 35° beam concentrates the output. The included flat diffuser broadens it to a published 95°, so a direct comparison with an older wide-beam panel needs the same coverage and modifier conditions.

The table separates the bare optical configuration from the flat diffuser. These are manufacturer readings at full output. Fixture class, centre lux and apparent source size describe different things; none alone predicts whether the lamp will make a sufficiently soft key at the planned distance.

CCT	Distance	No modifier (lux)	Flat diffuser (lux)
3,200K	1m	194,400	40,100
3,200K	3m	27,750	5,040
5,600K	1m	197,300	40,700
5,600K	3m	28,380	5,130

Published photometrics: measurement configurations and full output tables.

Tests and demonstrations

Another Camera Channel’s field review follows the use of two NOVA II 2×1 fixtures on a music video. The reviewer highlights the practical difference between the narrow native beam and the flat diffuser’s wider spread.

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Power and batteries

Plan AC distribution around 1,250W maximum input, not the 1,000W LED-class description. Leave appropriate capacity for the other equipment sharing the supply.

The power supply is integrated into the panel. There is no standard pair of onboard camera-battery plates to treat as an automatic location power solution. A portable AC supply must deliver the continuous load at the chosen operating mode.

If power is passed through between fixtures, use the manufacturer’s chain limit for the supply voltage, connectors and cables. A loop-through connector does not permit an unlimited number of panels on one circuit.

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Control, cooling and camera operation

The fixture supports onboard control, Sidus Link and Link Pro, five-pin DMX/RDM, internal CRMX and Ethernet Art-Net/sACN. Select the console personality for 2-pixel operation where required, and match it to the installed firmware.

Choose Max Output or Constant Output to suit the cue. A colour-temperature transition can change intensity in a maximum-output mode; establish exposure only after selecting the mode.

Active cooling includes quieter modes. Confirm the available output and audible fan behaviour after the fixture is warm. Test high-speed camera settings and low-level fades together, rather than checking them in separate setups.

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Modifiers, rigging and the working package

Component / accessory	Package considerations
Head, yoke and diffuser	16.25kg bare head, 2.40kg removable yoke and 2.00kg flat diffuser; add all fitted components to the support load.
Front accessories	Size-specific NOVA 2×1 softbox, dome diffuser, barn doors and fabric grid.
Stand / grid mounting	Removable yoke with junior pin; the 2×1 assembly needs substantial support.
Bowens modifiers	The panel has a dedicated front accessory system; Bowens softboxes and COB projection lenses do not mount directly.
Transport	Optional rolling case; the published loaded-case reference is 34.96kg.

The flat diffuser, dome and softbox produce different apparent source depths and reflections. Fit the intended accessory before placing the stand in a tight corner, and check that the cable and yoke remain clear through the tilt range.

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Alternatives and related fixtures

Fixture	When to compare it
Nova P300c	An older soft-panel package worth comparing on rental or used price; account for its different optical and control generation.
Nova P600c	An established RGBWW panel; compare the complete package and diffused coverage.
STORM 1000c	A full-colour point source when a Fresnel, projection optic or deeper softbox is central to the job.
Creamsource Vortex8	Compare the native beam, diffusion, rigging and local rental ecosystem.

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What people are saying

Another Camera Channel, February 2026. After a music-video shoot using two units, the reviewer describes the native beam as useful for efficient bounce, with the flat diffuser serving broader washes. Watch the field review.

Panel comparison. On Set’s longer hands-on discussion separates the NOVA II models from the narrow-beam NOVA 9°. Its chapters make it easier to inspect the relevant fixture.

Videos

Another Camera Channel: NOVA II 2×1 field review. Comments after a music-video shoot using two fixtures.

On Set: NOVA family comparison. Includes handling, accessories and a dedicated NOVA II 2×1 lighting section.

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Rental and used-fixture checks

• Confirm the diffuser and accessory size; 1×1 and 2×1 front accessories are different packages.
• Inspect the yoke locks, removable-yoke connection, front accessory catches and stand interface.
• Run the fixture warm in the intended fan mode and listen at the microphone position.
• Test DMX/CRMX and any pixel personality with the production console.
• Include the case, power cable, safety attachment and required soft-light accessories in the rental comparison.

Documentation and specifications

• Aputure product specifications, kit options and firmware downloads
• Product manual (PDF)
• DMX profiles (PDF)
• Manufacturer data sheet (PDF)

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